The smartest guys in the room(movie&book) essay

The smartest guys in the room(movie&book) - Essay Example Another form of malpractice that the company participated in is loaning money to itself in order to conceal debts. They also manipulated California’s’ energy supply using its electricity market. The movie elaborates how thousands of Enron employees lost their job in the scandal albeit their loyalty, while their bosses maintained their wealth. In reality, this movie is a criminal documentary that reveals how the executives of Enron, which was America’s seventh largest company, participated in a pansy scheme and got away. Their investors and employees succumbed to great losses while they walked away with billions of dollars (Sterling 22). An ethical consideration is the rights and duties of an entity to its employees, customers and their fiduciary responsibility towards their investors. These considerations assist in maintaining the integrity of a profession by setting out standards. Professionals found in violation of ethical responsibility are subject to sanctions, withdrawal of licenses and charges by law. It is unfortunate that the pioneers of the pansy scheme involving Enron walked away scot free with billions of dollars while their employees and investors made huge losses. The underlying principle in ethics is choosing the right irrespective of the foreseen or unforeseen consequence. Ultimately, unconditional responsibility that surpasses belief and interest is essential for harmony in human interactions. After watching this film, it important to recognize that community support does not determine ethical standing. A company may donate or fund other projects generously but the behaviors that take place behind t he scenes are the most crucial. Enron was the leading financier of George W. Bush 2000 election campaign but they had many hidden issues (Sterling 63). I believe that justice was served in the Enron scandal. The executives associated with the issue faced

International Business Strategy Essay Example | Topics and Well Written Essays - 750 words

International Business Strategy - Essay Example The theoretical framework applied for external audit is the PESTEL analysis. The political system in China significantly favours entrepreneurship. Having risen from a middle-income country to a near developed country in less than a century, the political system has a history of favouring entrepreneurship (bec.org). Hong Kong is the richest country in the mainland China with a GDP of US$ 258 billion. This makes it one of the most economically viable nations. The purchasing power in the country is estimated by the World Bank to be US$ 42.653. The country has other established foreign and local brands that pose great competition to Koyo Jeans. These include Diesel, Calvin Klein and Levis which are international companies; and Gallery and Lucky Brand, which are Hong Kong-based (lowtax.net). Being a local company, Koyo jeans do not experience any social or political barriers. The population of Hong Kong is more than 7 million people most of whom embrace the European and traditional Chinese clothing as fashion. Because of the cultural orientation of the products, the demand for Koyo Jeans’ products is high among the people who can be said to be luxurious shoppers. They have been quite receptive of the Koyo products over the years and has helped the company develop. Canada has a democratic tradition dating back to mid-nineteenth century. A general governor governs the country, and the political system is fairly stable. Being a developed and industrialised country, the political system is supportive to businesses, both local and foreign. The population of Canada is more than 34 million people and is in constant expansion. The Canadians are not only affluent but also fashion sensitive. This means that there is a ready market for the products. Jeans market in Canada experienced a 2% increase in 2013 (euromonitor.com). The main competitors in this market are the European brands; Diesel, Calvin Klein, Levi; and the Canadian

Concepts of Beauty in Art

Concepts of Beauty in Art John Keats Beauty and Truth In his famous apostrophe to the Grecian Urn, the immortal poet, John Keats, wrote: Thou shalt remain, in midst of other woe than ours, a friend to man, to whom thou sayst, beauty is truth, truth beauty, that is all ye know on earth, and all ye need to know. This very famous statement on Beauty and Truth and their interchangeability poses a very important question in the postmodern era. Art and its convention of the Beauty/Beautiful has imperceptibly changed over the decades, from something that should reflect the Ideal (and in reality, twice removed from it, as per Plato), or in essence complete and offering pleasure to the senses to something, that expresses the unique consciousness/angst of the creator. Art has thus rediscovered its definition for beauty. If beauty is truth, then it may dare to be grotesque too, for truth may be harsh or horrific. Beauty does not suggest something beautiful in the actual sense of the term, but that, which comes closer to the true expressions of the self and the vision of a generations psyche, that is fragmented, kitsch-like, complex and beyond the metanarratives of a suffocating conformity. Beauty has evolved into a freedom for expression. Contemporary art, especially questions the paradigms of aesthetic values, with artists like Chapman Brothers or Justin Novak producing artwork that are clearly meant to provoke reactions and challenge notions of beauty, that had its roots in Kants Critique of Judgment (1790). It contemplated on the pure aesthetic experience of art consisting of a disinterested observer, pleasing for its own sake and beyond any utility or morality. Now, the very word pleasing may have different boundaries and contemporary art is trying to escalate their claims. If Marcel Duchamp made a fountain out of a urinal in 1917, that hurtled the Dadaist movement and that later amplified into a surrealist tendency looking into primitive art for their subconscious inspiration, to reveal the mental process, then the essential motivation behind the whole thing was subversion. If primitivism was motivating a new dimension by which beauty of the mind was revealed, then Picasso completely subjectified art and personal experience into a fourth dimension and created a cubist movement to claim a break down of a canon that no longer held on to techniques, symbols and least of all universal criteria for judging anything. There are many socio-ideological forces behind the same and the destructive World Wars had many reasons to question the notions behind the traditional idea of Beauty, and it addressed the subjective, transcendental and alienated psyche of modern man. Metaphysical hopelessness gave absurdity to beauty, while the meaninglessness of this Being, made beauty seem more akin to grotesque, either by derision or by the light of their tragic truth. What makes the question more intriguing is that, whether contemporary art has found a better form of beauty (constructed to please and create a certain discursive paradigm) in the grotesque, since it frees us from any moral and political/ideological constraints? Can it be linked to greater dimensions of teleological magnitude, or should it be treated as an alternative method of understanding true aesthetic, if not the complete aspect of aesthetic itself? Is grotesque possible without the knowledge of Beauty itself? I shall attempt to answer the following questions that I raised, with a few examples. One must first understand the idea behind perception and the dialogical force that surrounds it. If the world is raised as an illusion in ones mind then the mind has been symbolically trained to read it as a language. This matrix of complex spontaneity is paradigmatically and syntagmatically (Roman Jakobson, 1987) being challenged, when Grotesque plays the part of Beauty. The Dystopia arises out of a shattered archetype that must restructure itself to include elements of the grotesque within the beauty, and reach towards the same aesthetic experience: the sublime. But interestingly what produces sublime is shock. But one must not confuse this with the cathartic experience of the Tragic pity and terror, but something quite opposite to an ideal communicative situation that all such art produces. Thus this element of mimesis and/or representation of the ideal have given way to an infinite subjectivity (Hegel, Lectures on Fine Art, given in the 1820s), or the abyss of the human mind and condition. But the self is interpellated as per Lacan and later Althusser too estimated the impossibility of a single position from where one can judge, since the self was preconditioned with a lot of logocentricism (Derrida), which are again socio-culturally specific as per Barthes. Thus there is a complete inquiry into art through the artists personality or self (or selves). Justin Novaks disfigurine often conforming to the bourgeoisie values, distort them to such an ironic extent that one cannot miss the counter realism that it offers. Often it serves to offer no alternative reality, but just launches one amidst a grotesque re-examination of old values and with its attendant disillusionment. Once there is a silent barrier between class and gender is dismantled, the escape is into nothingness the sublime height of vast unending solutions and this underscores the definite presence and the horrors of undying conformism. If truth is beauty, then Novaks artworks reveal the finer sides of it by shattering the comfortable and compartmentalized thought processes with which one can objectify art from a safe distance. The grotesque closeness of these truths gives beauty to the mind by releasing it from the shackles of confinement and overpowering illusions. Truth is not universal, but a power to accept the inextricable complexity of human behaviour, mind and his /her social, cultural and historical environment. Is Grotesque a rebellion? Or is it an inextricable element of beauty? Disfigurines 2006, by Justin Novak Grayson Perrys ceramic works portray this polemic by making them superficially beautiful (as beauty has been notoriously claimed to have been) and underneath it remains the darker motives of an artist who tries to wrest with disturbing truths (or shall one call them home truths, with a larger social back drop to them). His works like Coming Out Dress 2000, Weve Found the Body of your Child 2000 or the Boring Cool People 1999 (reminds one of Eliots famous lines from The Love Song of J. Alfred Prufrock In the room the women come and go, Talking of Michaelangelo). Not only does he deal with issues like cross-dressing, child abuse and social sterility (spiritually hollow cool fashionistas), but also he plays with this abnormal interrelation between beauty and grotesque. He raises questions about taste and the sublime. In short he subverts the notion of beauty with beauty that is skin deep! Reality is a diabolical faade and Perry questions whether hegemony denotes or connotes the medium o f taste in art. Transvestite to transgression, the Chapman Brothers question the inevitability or orthodox value of the canon. This reflects in their works, defacement and torture figures create the complete picture of Beauty. They usher in a new experiment with taste, bad taste and the notions of good taste. Art moves into the realms of public or mass low category, which becomes an essential democratic medium for evoking or carrying forward a provocation to rouse the sense of that horrifying answerless void. With the Chapman brothers there is a sadist tone attached to their insult or reiteration of Goyas influence especially in the irrecreation of his Disasters of War, which inflict bold horror. But the grandeur of that horror is reduced to a trivial and yet a sardonic sensationtaste comes off them. They twist the sensation of violence into an aestheticground and arouse a variety of physical and mental demands for perceiving Beauty amidst such a squandering grotesqueness. Beauty here lies in the re lease from holding back appreciation, awe and complete shock. Violence does not stand-alone and nor does any other human emotion. Sex, 2003 is thus desire, decay, diabolical, deliberate, freedom or defeat. Purity is not that far fromits pornographic mockery of it and they are interrelated in their apparent verisimilitude. A true representation of kitsch art, their works like Zygotic Acceleration, roused shock as they attempted to portray the sexualisation of children due to the media and increased gender awareness. These treatments nevertheless push questions about morality that grotesque beauty actually challenges. Thus morality and beauty in its aesthetic straight forwardedness seem to flatten out newer boundaries of experiences, which the Chapman brothers challenge through their craftsmanship. Traditional Sculpture, especially in the hands of the Chapman Brothers and Justin Novak or Grayson Perry are objects of anti-canonical parody, grotesque imitations or thought-provoking reverse-discourses. All these postmodern artists are challenging aesthetic experience. All these artworks succumb to one the power of the grotesque that sublimates beauty with its truth, and they make us realize that truth is not about a fixed standard, but accepting the actual absence of it. What makes contemporary art more beastly in its beauty is the power to derive happiness (or sado-masochist satisfaction) out of this grotesqueness. The grotesque shocks but this is a pleasure in itself, because it is the very representation of the consciousness. Theatre and artwork met with experimentalism in the stage by Artaud, who made audience a spectator to cruelty that is harsh, exceptionally brutal and yet beautiful. By shattering estrangement and by creating something that allows no objectivity (in the lik es of Kant or Brecht) Artaud demands a complete involvement of the senses. Moreover, this is where art threatens to change the soul of the perceiver by its dominating beauty, which horrifies the perceiver with its verity and unique angst. Wittgensteins concept of seeing-as, allows contemporary art to shun master narratives completely and standout on their own purely as visual sensations. From British Avant-Garde art that confuses common and the uncommon (like use of mannequin by Chapman Brothers or genitals replaced by the faces in their remake of Goyas Disasters of Wars series). Grotesquerie is about questioning the status quo, about unflinching self-criticism and about embracing outsiders. From Simon Carroll deconstructing the chronology of ceramic vases with his pastiches like Thrown Square Pot2005, engages the observers mind with complex questions that he poses through the irregular construction of his surfaces. Thrown Square Pot  2005, Simon Carroll. The artists seem to dwell on the apparent hyperreality of contemporary situation, where art has become a vastly reproduced object fractured beyond identity. Formlessness becomes the beauty without symmetry and deliberate cruelty an aesthetic grotesqueness. Thus the gap between what is apparent and what may actually exists gives the artists ample space to bridge this defined categories with crushing forces of expressions that though grotesque to the shocked senses is ultimately beautiful by virtue of its truth. Works Cited Eliot, T. S The Love Song of J. Alfred Prufrock. Eliot, Thomas Stearns. Prufrock and Other Observations. London: The Egoist, Ltd, 1917; Bartleby.com, 1996. www.bartleby.com/198/. [30.01.2007]. ON-LINE ED.: Published May 1996 by Bartleby.com; Copyright Bartleby.com, Inc. (Terms of Use). Hegel, Lectures on Fine Art, (edited by Hotho) Aesthetics: Lectures on Fine Art, Vol. 1.translated by T. M. Knox, 1973. Poetical Works. London: Macmillan, 1884; Bartleby.com, 1999 Jakobson, Roman. Language in Literature. Ed. Krystyna Pomorska and Stephen Rudy. Cambridge, MA: Belknap, 1987. See influential essay Linguistics and Poetics by Roman Jakobson, in their collection Language in Literature (1987).

My Philosophy Statement Essay -- Philosophy of Education Teaching Essa

My Philosophy Statement Coming from a family of educators, I have always been aware of the love and importance of learning. Growing up I thought I wanted to be a Marine Biologist and was even accepted at Coastal Carolina to study this field. After much deliberation, I realized that what I really wanted to do was teach. In high school, I had the opportunity to work with children through the Eagle’s Nest Club and my Spanish class and knew this is what I wanted to do. My opportunities through these two organizations gave me experience with elementary students. This is what I have chosen to do. I plan to pursue a degree in elementary education and add certification for pre-k and special education. Again, coming from parents of educators, I know how important education is and I also know how important it is to consider the individual child and the baggage they bring with them. Some students come to school with a background that has provided plenty of stimulus and are ready to learn. Others come with terrible childhood and family histories and struggle to survive, much less have the pre-readiness skills to learn. My goal is to teach early childhood students and make my classroom a place where all children, those from impoverished and abusive homes to those with well to do and stable homes, have the same stimulation and opportunity to learn. Even though my goal is to teach early childhood, my degree will be through K-8. Consid...

Fi516 Advanced Finance

Study Guide for Final Exam 1. (TCO B) Which of the following statements concerning the MM extension with growth is NOT CORRECT? (a) The tax shields should be discounted at the unlevered cost of equity. (b) The value of a growing tax shield is greater than the value of a constant tax shield. (c) For a given D/S, the levered cost of equity is greater than the levered cost of equity under MM's original (with tax) assumptions. (d) For a given D/S, the WACC is greater than the WACC under MM's original (with tax) assumptions. e) The total value of the firm is independent of the amount of debt it uses. (Points: 20) 2. (TCO D) Which of the following statements is most CORRECT? (a) In a private placement, securities are sold to private (individual) investors rather than to institutions. (b) Private placements occur most frequently with stocks, but bonds can also be sold in a private placement. (c) Private placements are convenient for issuers, but the convenience is offset by higher flotation costs. (d) The SEC requires that all private placements be handled by a registered investment banker. e) Private placements can generally bring in funds faster than is the case with public offerings. (Points: 20) 3. (TCO E) Dakota Trucking Company (DTC) is evaluating a potential lease for a truck with a 4-year life that costs $40,000 and falls into the MACRS 3-year class. If the firm borrows and buys the truck, the loan rate would be 10%, and the loan would be amortized over the truck's 4-year life. The loan payments would be made at the end of each year. The truck will be used for 4 years, at the end of which time it will be sold at an estimated residual value of $10,000. If DTC buys the truck, its after tax cash flows would be the following: (Year 1) – 6,339; (Year 2) -4,764; (Year 3)-9,943; (Year 4) -5,640; all occurring at the end of respective years. The lease terms, call for a $10,000 lease payment (4 payments total) at the beginning of each year. DTC's tax rate is 40%. Should the firm lease or buy? (a) $849 (b) $896 (c) $945 (d) $997 (e) $1,047 (Points: 20) 4. (TCO I) Suppose 90-day investments in Britain have a 6% annualized return and a 1. 5% quarterly (90-day) return. In the U. S. 90-day investments of similar risk have a 4% annualized return and a 1% quarterly (90-day) return. In the 90-day forward market, 1 British pound equals $1. 65. If interest rate parity holds, what is the spot exchange rate? (a) 1 pound = $1. 8000 (b) 1 pound = $1. 6582 (c) 1 pound = $1. 0000 (d) 1 pound = $0. 8500 (e) 1 pound = $0. 6031 (Points: 20) 1. (TCO C) D. Paul Inc. forecasts a capital budget of $725,000. The CFO wants to maintain a target capital struc ture of 45% debt and 55% equity, and it also wants to pay dividends of $500,000. If the company follows the residual dividend policy, how much income must it earn, and what will its dividend payout ratio be? Net Income Payout (a) $898,750 55. 63% (b) $943,688 58. 41% (c) $990,872 61. 43% (d) $1,040,415 64. 40% (e) $1,092,436 67. 62% (Points: 20) 2. (TCO F) Warren Corporation's stock sells for $42 per share. The company wants to sell some 20-year, annual interest, $1,000 par value bonds. Each bond would have 75 warrants attached to it, each exercisable into one share of stock at an exercise price of $47. The firm's straight bonds yield 10%. Each warrant is expected to have a market value of $2. 00 given that the stock sells for $42. What coupon interest rate must the company set on the bonds in order to sell the bonds-with-warrants at par? (a) 7. 83% (b) 8. 24% (c) 8. 65% (d) 9. 08% (e) 9. 54% (Points: 20) 3. (TCO B) Which of the following statements is CORRECT, holding other things constant? (a) Firms whose assets are relatively liquid tend to have relatively low bankruptcy costs, hence they tend to use relatively little debt. b) An increase in the personal tax rate is likely to increase the debt ratio of the average corporation. (c) If changes in the bankruptcy code make bankruptcy less costly to corporations, then this would likely reduce the debt ratio of the average corporation. (d) An increase in the company's degree of operating leverage is likely to encourage a company to use more debt in its capital structure. (e) An increase in the corporate tax rate is likely to encourage a company to use more debt in its capital structure. (Points: 20) 4. TCO G) Chapter 7 of the Bankruptcy Act is designed to do which of the following? (a) Protect shareholders against creditors. (b) Establish the rules of reorganization for firms with projected cash flows that eventually will be sufficient to meet debt payments. (c) Ensure that the firm is viable after emerging from bankruptcy. (d) Allow the firm to negotiate with each creditor individually. (e) Provide safeguards against the withdrawal of assets by the owners of the bankrupt firm and allow insolvent debtors to discharge all of their obligations and to start over unhampered by a burden of prior debt. . (TCO I) Suppose one British pound can purchase 1. 82 U. S. dollars today in the foreign exchange market, and currency forecasters predict that the U. S. dollar will depreciate by 12. 0% against the pound over the next 30 days. How many dollars will a pound buy in 30 days? (a) 1. 12 (b) 1. 63 (c) 1. 82 (d) 2. 04 (e) 3. 64 (Points: 20) 2. (TCO H) Which of the following statements about valuing a firm using the APV approach is most CORRECT? (a) The value of operations is calculated by discounting the horizon value, the tax shields, and the free cash flows at the cost of equity. b) The value of equity is calculated by discounting the horizon value, the tax shields, and the free cash flows at the cost of equity. (c) The value of operations is calculated by discounting the horizon value, the tax shields, and the free cash flows before the horizon date at the unlevered cost of equity. (d) The value of equity is calculated by discounting the horizon value and the free cash flows at the cost of equity. (e) The APV approach stands for the accounting pre-valuation approach. (Points: 20) 3. (TCO A) Which of the following statements is CORRECT? a) Put options give investors the right to buy a stock at a certain strike price before a specified date. (b) Call options give investors the right to sell a stock at a certain strike price before a specified date. (c) Options typically sell for less than their exercise value. (d) LEAPS are very short-term options that were created relatively recently and now trade in the market. (e) An option holder is not entitled to receive dividends unless he or she exercises their option before the stock goes ex dividend. (Points: 20) 4. (TCO F) A swap is a method used to reduce financial risk. Which of the following statements about swaps, if any, is NOT CORRECT? (a) A swap involves the exchange of cash payment obligations. (b) The earliest swaps were currency swaps, in which companies traded debt denominated in different currencies, say dollars and pounds. (c) Swaps are very often arranged by a financial intermediary, who may or may not take the position of one of the counterparties. (d) A problem with swaps is that no standardized contracts exist, which has prevented the development of a secondary market. (e) A company can swap fixed interest payments for floating interest payments. (Points: 20)

Human Nature in Lord of the Flies †Essay Essay

Authors often use their pieces of work and different literary elements to explain their philosophy on certain â€Å"ways of life† that humans possess. In Lord of the Flies, William Golding shows his view on human nature with his intense plotline of young boys getting stranded on a deserted island, trying to survive by themselves with limited resources, and then over time losing their sense of civilization. In the beginning the boys combine themselves under one, but as the story progresses, the boys create different opinions on survival thus creating divides in the group. This leads to several different altercations where the boys turn to behaviors that are barbaric. Throughout the book, Golding’s use of imagery portrayed the characters as cruel. It is through the description of their behaviors that Golding depicts a pessimistic view of human nature. Across the text, the author has several examples showing his pessimistic views, but above all the one factor that shows the brutality of mankind is Jack’s constant behavior towards Piggy. Golding writes in one disagreement, â€Å"He took a step, and able at last to hit someone, stuck his fist into Piggy’s stomach. Piggy sat down with a grunt† (Golding, 71). The two main opponents in this argument were Ralph and Jack, but yet when Piggy made one statement agreeing with Ralph, he got punched in his stomach which caused him to smash his glasses. This violence is continued throughout the book, and it is directed towards Piggy by the others who have forgotten how to respect one another. This quote illustrates Golding’s pessimistic views by describing the many ways humans lose their sense of right and wrong. Over time, Jack’s usual behavior becomes nasty and vicious which holds against the humane ways of the world now, and rather dates back to the natural nature of animals. The violence that Jack expresses from time to time also shows the cynical character he has turned into without humanity surrounding him. A second example pertaining to Golding’s view on human nature and the negativity it has is the way the littluns are treated in this book. In the novel, he explains, â€Å"Roger stooped, picked up a stone, aimed, and threw it at Henry† (Golding, 62). In other words, Roger an older boy decides to physically try and hurt a younger child for no reason. Golding tries to show that there must be something wrong with Roger to enjoy torturing Henry. His depiction of human nature is shown through the mental images the reader gets of the terror Henry is put through. Roger was determined to scare the little boy into tears without a valid reason of doing so, except for the fact that he had no discipline and was allowed to be so unruly. It shows that without the laws and rules of the society, the boys were acting like wilds animals. The last act of cruelty that depicts the pessimistic views of human nature was in the end when the boys were stripped of their humane qualities. Robert mutters, â€Å"He didn’t say. He got angry and made us tie Wilfred up† (Golding, 159). Jack had made the boys tie Wilfred up for no reason, and was planning to beat him up in front of all the other boys. He was going to use him as a toy and play with his life just because he felt like it. Jack’s cruel behavior towards Wilfred never had a reason and the other boys just let it go because they were scared for their own lives. The civilized thought of having value for other people’s life was absent from these boys’ mind, and rather the barbaric thought of inflicting pain was taking over. This example proves Golding’s view on human nature is pessimistic because he shows that at the core, these boys are evil and malevolent. Due to all of these examples of cruelty, the author suggests that human nature in fact is pessimistic and negative. In the novel, the good that society usually pushes upon the boys is not present and therefore the natural traits of humans are shown. The boys retrogress back into time, and become very brutal. With no manners or discipline, the boys are reacting in non positive ways creating a domino effect of bad events though out the whole book, until the end when they are finally rescued. Golding portrays a very melancholy look on humans and their innate behavior as he completely breaks down certain traits humans have worked for ages to build. As they continue to bring cruelty into their world, the boy lose civilization and the sugar coating it puts on mankind’s natural behavior. Golding breaks down these boys and shows the true core of human nature.

English and Spanish Relations With the Native Americans essays

English and Spanish Relations With the Native Americans essays The purpose of this paper is to prove that although both the English and the Spanish saw the natives as uncivilized and vulnerable savages; ultimately, the English, more so than the Spanish, took advantage of these characteristics to lead to bad relations with the Native Americans. Whereas the Spanish settlers, who forced Catholicism on the Pueblos and tried to obliterate Indian practices, ended their problems with hopes of peace, the English took over land with no effort at reconciliation with the Narragansett tribe. When the English first arrived in New England in the mid 1600's, they were much amused at the Indians responses to their European culture. The natives were impressed with European technology and soon expressed a desire to experience the new bits of customs that had arrived on their shores. When the English saw that the natives venerated them for their new and interesting technology as almost supernatural in basis, they perceived this as bond that would be carried throughout settlement. Similarly, good intentions were met in the southwest part of the land where the Spanish sent Franciscan friars into the area of New Mexico to spread the Catholic faith. Beginning their expanse, they were welcomed by the Pueblos mostly because they brought new crops and agricultural technologies that made life much simpler and industrious. Unlike the English Puritans, the Spanish missionaries did not see it necessary to force conversion on the natives. Camaraderie and good associations between the English and Native Americans did not last long. The Indians first noticed that the English had outstayed their welcome when tribes would complain of loss of land, grass, and trees. However, the English reacted no differently to the outlandishly different lifestyle of the natives. Early Massachusetts Bay settler, William Wood, went on to find fault with various aspects of the Indian routine, including treatment of Indian women...